Apr. 12, 2019
2019 PROXY Spring Series
The 2019 PROXY Spring Series of outdoor cinema kicks off Friday, April 12 at the PROXY Walk-In Theater. This year’s series focuses on stories of resilience in the realms of art, identity, and place.
Presented by HERE FOR NOW, the FREE, Friday evening film screenings begin at dusk with ‘doors’ opening at 6:00 pm.
Bring a blanket and your friends, because it’s going to be a good night.
Check out our tips for enjoying movies outside at PROXY.
Special thanks to Fort Point Beer Company for their generous support again this year!
2019 PROXY Spring Series
Every Friday | April 12 to May 10, 2019
Proxy, 432 Octavia St, San Francisco
Friday, April 12
Directed by Robert Greene, 2018 [PG]
A fascinating exercise in nonfiction filmmaking as a performative, interdisciplinary, collective act, as well as a provocative inquiry into how selective memory, ideology, shame and unspeakable trauma shape what we come to accept as official history.
– Ann Hornaday, The Washington Post
BISBEE ’17 is a nonfiction feature film by award-winning filmmaker Robert Greene set in Bisbee, Arizona, an eccentric old mining town just miles away from both Tombstone and the Mexican border.
Radically combining collaborative documentary, western and musical elements, the film follows several members of the close knit community as they attempt to reckon with their town’s darkest hour. In 1917, nearly two-thousand immigrant miners, on strike for better wages and safer working conditions, were violently rounded up by their armed neighbors, herded onto cattle cars, shipped to the middle of the New Mexican desert and left there to die. This long-buried and largely forgotten event came to be known as the Bisbee Deportation.
Friday, April 19
Directed by Heather Lenz, 2018 [unrated]
It may seem strange for a movie to argue that an artist who at various times has been called the world’s most popular and has set a record for the highest amount paid for a work by a living female artist is somehow undervalued.
– Ben Kenigsberg, The New York Times
An entertaining account of one of modern art’s most unlikely success stories, Heather Lenz’s Kusama: Infinity charts the many ways Yayoi Kusama was marginalized — sometimes by the prejudices of an era, sometimes thanks to her own eccentricities — before becoming, late in life, one of the world’s most popular living artists. Part talent, part hustle, part pathological insistence on her own way of dealing with the world, it’s an optimistic narrative with plenty of colorful guest stars and should have a slightly broader appeal than the usual art-world portrait.
Friday, April 26
THE MISEDUCATION OF CAMERON POST
Directed by Desiree Akhavan, 2018 [Unrated]
Navigating troubled culture-war waters with grace, humor and compassion, “The Miseducation of Cameron Post” is a movie that deserves a wide and diverse audience.
– A.O.Scott, The New York Times
Based on the celebrated novel by Emily M. Danforth, The Miseducation of Cameron Post follows Cameron (Chloë Grace Moretz) as she is sent to a gay conversion therapy center after getting caught with another girl in the back seat of a car on prom night. Run by the strict and severe Dr. Lydia Marsh (Jennifer Ehle) and her brother, Reverend Rick (John Gallagher Jr.)—himself an example of how those in the program can be “cured”—the center is built upon repenting for “same sex attraction.” In the face of intolerance and denial, Cameron meets a group of fellow sinners including the amputee stoner Jane (Sasha Lane), and her friend, the Lakota Two-Spirit, Adam (Forrest Goodluck). Together, this group of teenagers form an unlikely family as they fight to survive.
Friday, May 3
The Last Race
Directed by Michael Dweck, 2018 [Unrated]
“The Last Race” is a high art film about a blue-collar subject, and that unlooked-for ability to see beauty in the everyday is what makes it both a surprise and a success.
– Kenneth Turran, The L.A. Times
THE LAST RACE is a cinematic portrait of a Long Island stock car race track as its octogenarian owners struggle to maintain an American racing tradition in the face of a real estate development boom. The film merges image, and sound in a unique narrative form to bring the audience into the world of grassroots racing culture and explore a story that subtly grapples with questions of blue collar American identity that have taken on a profound relevance in the current political era.
Friday, May 10
MATANGI / MAYA / M.I.A
Directed by Steve Loveridge, 2018 [Unrated]
Loveridge celebrates the mashup aesthetic that enabled the artist to find a voice, and reveals that reconciling contradictions… is key to both Arulpragasam’s music and the life she’s constructed with audacity and wit.
– Serena Donadoni, L.A. Weekly
Drawn from a never-before-seen cache of personal footage spanning decades, this is an intimate portrait of the Sri Lankan artist and musician who continues to shatter conventions.
Let’s watch movies outside together.